I pursue a better understanding of archives work, jazz style.

You know you’re an archives nerd when . . .

Sorry I’m not doing this on my usual typewriter.  But this afternoon I found myself pacing my office, talking to myself as I tried to draw a schematic diagram of the principles in Terry Cook’s “Mind Over Matter” and Richard Cox’s No Innocent Deposits according to a template modified from Charles Peirce’s semiotic categories.

And it was fun. It was a real drag having to pull myself back to writing a personnel evaluation.  But then again, when have personnel evaluations ever been fun?

I don’t know if I can resist taking the special Diplomatics issue of American Archivist home for the weekend.

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